WE'LL NEVER HAVE PARIS is a hilarious, clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back 'the one.' A romantic comedy.

Hannah Lee Baker is a bright teen girl trapped in the dark Southern underworld of violence and guns, meth labs and vicious biker gangs, and whose only refuge is chess. She lives with Amber, her older sister; and her uncle Donny, an addict. All live in fear of Uncle Frank Stinson, who runs the illegal family business with an iron fist, aided by his psychotic younger brother Bobby. Things change for the worse when Amber falls in love with Wild Bill, a meth trafficker who finds himself at war with Frank. Hannah realizes the only way to save her family is by cleverly scheming to pit one pawn against another in a cunning chess game.

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.

Saoirse is a child who is the last of the selkies, women in Irish and Scottish legends who transform from seals into people. She escapes from her grandmother's home to journey to the sea and free fairy creatures trapped in the modern world.

A comedy concert film that captures the on-stage performance and inspirational success story of Gabriel "Fluffy" Iglesias.

After two girls cruelly impersonate her online in a "reverse cyber bullying" plot, Ashley's reputation is ruined and she and her mother flee a growing threat to their lives. Starting over at a new school, romantic interests and the poignant lessons from an eccentric history teacher draw them out of seclusion until they realize confronting a hurtful past is essential to ensure a brighter future.

A group of strangers who wake up in what appears to be an abandoned building, unable to remember how they got there, find themselves haunted by strange visions and are forced to face all the wrongs they have done in their lives.

WHITEY: United States of America v. James J. Bulger captures the sensational trial of infamous gangster James 'Whitey' Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Embedded for months with Federal Prosecutors, retired FBI and State Police, victims, lawyers, gangsters and journalists, Academy Award-nominated filmmaker Joe Berlinger examines Bulger's relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades. Pulling back the curtain on long-held Bulger mythology, the film challenges conventional wisdom by detailing shocking, new allegations. With unprecedented access, Berlinger's latest crime documentary offers a universal tale of human frailty, opportunism, deception, and the often elusive nature of truth and justice.

After chomping through the fish population, thousands of starved lampreys begin attacking the citizens of a sleepy lake town, and the community scrambles to stay alive.

After returning home from a traumatic tour of duty in Iraq, John finds himself struggling with PTSD. What little peace he had managed to build around him is shattered one fateful day when he rescues a local call girl from a group of violent Aryan Brotherhood pimps. Having killed several of the high-ranking brotherhood during the rescue, John and his family are now the prime targets of Hollis, the ruthless criminal leader of the group.

When two freshmen pledges are accepted into the biggest party frat on campus (ALPHA HOUSE), they think they have it all. That is, until the assistant dean forces the Alphas to share their house with a sorority or face expulsion from school. Not wanting to see their lifelong dream of becoming Alphas destroyed, the pledges convince the other members of the house to take back what's theirs, waging an epic battle of the sexes to fight for their right to party.

I Am Soldier follows Mickey Tomlinson (Tom Hughes), a military chef, who attempts the most dangerous military selection known to man: The Special Air Service (S.A.S.) selection. The S.A.S. Is the United Kingdom's most renowned Special Forces Regiment, tasked with life threatening missions in some of the most dangerous places on the planet. Mickey has more military experience than simply being a chef, something he doesn't let on to the other candidates... Mickey is smashed by this selection process - his mind, body and soul scream for mercy as he endures torturous speed-marches over the steepest mountains, running for his life during 'Escape and Evasion' and then facing the most evil interrogation possible, during the deadly phase known as: 'Tactical Questioning.' Even after everything, there is still only one way you can really prove yourself: in combat... Many try to get into the S.A.S. Only the elite make it.

Tells a story of a group of people attempting to lead this country astray - fingers wagging along with tongues, placing blame, from Lincoln to current time on everyone and everything on one side of the equation. Yes! A look at true revisionist behavior - leading savvy viewers to recognize the familiar yet modernized example of classic dramatic irony.

A veteran postman finds his beliefs challenged after he enters a TV talent show competition.

1932. Jimmy Gralton is back home in the Irish countryside after ten years of forced exile in the USA. His widowed mother Alice is happy, Jimmy's friends are happy, all the young people who enjoy dancing and singing are happy. Which is not the case of Father Sheridan, the local priest, nor of the village squire, nor of Dennis O'Keefe, the chief of the fascists. The reason is simple: Jimmy is a socialist activist. So when the "intruder" reopens the village hall, thus enabling the villagers to gather to sing, dance, paint, study or box, they take a dim view of the whole thing. People who think and unite are difficult to manipulate, aren't they? From that moment on they will use every means possible to get rid of Jimmy and his "dangerous" hall.

One couple's story as they try to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

The world's finest heroes found the Justice League in order to stop an alien invasion of Earth.

In 1950, John Brinnan invited the highly acclaimed and infamous Dylan Thomas to New York for a series of poetry readings. Ignoring rumors of Thomas' frivolities back home, Brinnan has his hands full when the poet arrives. Desperate to get his watchful university chaplains off his back, Brinnan takes Thomas to his family retreat in the woods of Connecticut. But even in the middle of nowhere, the resourceful and cantankerous Thomas finds an audience for his art, passion, love and aggression...