A gray winter sky hangs over lonely city streets, rotted oil derricks, and abandoned factories. This is Oil City, Pennsylvania, a fading industrial town in the heart of the American rust belt. It is the sort of town that Barrack Obama had in mind when he made his infamous comments about bitter small town residents clinging to their guns and religion as they watch the rest of the world pass them by. The peace and quiet is shattered when the filmmaker, Oil City native Joe Wilson, places the announcement of his wedding to another man in the local paper. The announcement catches the eye of Kathy Springer, a local woman whose teenage son, CJ, is being brutally tormented at school because he is gay. Ignored by the school authorities and with no where else to turn, she seeks help from Wilson and they begin a difficult but ultimately successful struggle to take on the school authorities who made every day "eight hours of pure hell" for CJ. The announcement has a very different effect on Diane Gramley, head of the local chapter of the ultra-conservative American Family Association. Infuriated by the prospect of the "homosexual agenda" invading her little town, she issues an action alert calling on townspeople to denounce same sex marriage and all other forms of "perversion". Over the next four years Wilson navigates the ins and outs of being different in a conservative small town. He makes an unexpected friendship with an evangelical pastor that demonstrates the understanding that can develop when people on different sides of an issue lay down their swords and get to know one another. And he helps a lesbian couple renovate an historical downtown theatre that could catalyze the town's economic revitalization - if the community will accept them. The greatest change occurs in Wilson himself as he realizes that while maverick acts such as the publication of his wedding announcement can create a splash, creating lasting change in small towns takes the courage and ongoing commitment of local folks to speak out and live openly.

A closeted student at a conservative theological seminary, struggles to come to terms with his nurtured beliefs and coming out to himself, his friends, and his only surviving family member. At this low point mentally and emotionally, Ryan ends up in a troubled online relationship which leads him to question everything he has known about God and Love.

School is out and the familiar Scooby gang are looking to enjoy a long vacation. However, sightings of a Lake Monster cause them to band together once again to solve yet another mystery.

From 1968 to 1975, gangs ruled New York City. Beyond the idealistic hopes of the civil rights movement lay a unfocused rage. Neither law enforcement nor social agency could end the escalating bloodshed. Peace came only through the most unlikely and courageous of events that would change the world for generations to come by giving birth to hip-hop culture. Rubble Kings, the most comprehensive documentation of life during this era of gang rule to date, tells the story of how a few extraordinary, forgotten people did the impossible, and how their actions impacted the world over.

In the 21st-century, a former underwater scientific installation has been repurposed as a city, known as Pacifica to the colonists who inhabit it. Now the U. S. government has plans to store the Ft. Knox gold reserves there, along with a fantastic new radioactive element. But, someone has plans of stealing the gold, and to make matters worse;, the city faces imminent destruction by an asteroid heading towards it.

In tiny Anarene, Texas, in the lull between World War Two and the Korean Conflict, Sonny and Duane are best friends. Enduring that awkward period of life between boyhood and manhood, the two pass their time the best way they know how -- with the movie house, football, and girls. Jacey is Duane's steady, wanted by every boy in school, and she knows it. Her daddy is rich and her mom is good looking and loose. It's the general consensus that whoever wins Jacey's heart will be set for life. But Anarene is dying a quiet death as folks head for the big cities to make their livings and raise their kids. The boys are torn between a future somewhere out there beyond the borders of town or making do with their inheritance of a run-down pool hall and a decrepit movie house -- the legacy of their friend and mentor, Sam the Lion. As high school graduation approaches, they learn some difficult lessons about love, loneliness, and jealousy. Then folks stop attending the second-run features at the movie house and the time comes for the last picture show. With the closure of the movie house, the boys feel that a stage of their lives is closing. They stand uneasily on the threshold of the rest of their lives. (The movie was adapted from the novel by Larry McMurtry).

Born Elinore Harris, Billie Holiday had a difficult teen and young adulthood period, which included working in brothels, both as a cleaning woman and a prostitute, and being raped. Through this difficulty, she dreamed of becoming a jazz singer. She got her initial singing break when she applied at a Harlem club that was looking for a dancer, but where she got hired as a singer. There, she met and fell in love with the suave Louis McKay. After this initial break, Billie wanted her singing career to move to the mainstream clubs in downtown Manhattan. She took a risk when she agreed to be the lead singer for the Reg Hanley Band, a primarily white group, who convinced her that she would have to make her mark in regional tours before her Manhattan dream could happen. As Billie tried to advance her career, pressures of life, including being a black woman, led to her not so secret substance abuse (especially of heroin), not so secret because of her increasingly erratic behavior, both on stage and off. As those around her, including Louis, worked to support Billie emotionally to get off drugs, Billie faced other issues, such as open narcotic use being a criminal offense, which in combination with the effects of the heroin use itself could be Billie's downfall despite her singing talent.

Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the small time.

An ex con teams up with federal agents to help them with breaking up a moonshine ring.

The Maysles brothers pay visits to Edith Bouvier Beale, nearing 80, and her daughter Edie. Reclusive, the pair live with cats and raccoons in Grey Gardens, a crumbling mansion in East Hampton. Edith is dry and quick-witted - a singer, married but later separated, a member of high society. Edie is voluble, dresses - as she puts it - for combat in tight ensembles that include scarves wrapped around her head. There are hints that Edie came home 24 years before to be cared for rather than to care for her mother. The women address the camera, talking over each other, moving from the present to events years before. They're odd, with flinty affection for each other.

A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of an elderly woman from her home on an island in the River, and the young man's love affair with that woman's widowed granddaughter.

Mary Henry is enjoying the day by riding around in a car with two friends. When challenged to a drag, the women accept, but are forced off of a bridge. It appears that all are drowned, until Mary, quite some time later, amazingly emerges from the river. After recovering, Mary accepts a job in a new town as a church organist, only to be dogged by a mysterious phantom figure that seems to reside in an old run-down pavilion. It is here that Mary must confront the personal demons of her spiritual insouciance.

Luther Heggs aspires to being a reporter for his small town newspaper, the Rachel Courier Express. He gets his big break when the editor asks him to spend the night at the Simmons mansion that, 20 years before, was the site of a now famous murder-suicide. The case has aroused local interest not only because of the anniversary but due to the fact that the family heir, Nick Simmons, has returned to Rachel aiming to tear the mansion down. Luther's account of his wild, ghost-ridden night in the house leads Simmons to sue for libel, but with the aid of his friend Kelsey they determine what exactly happened that night long ago and the identity of the real killer.

John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation.

Documentary film-maker Bob Sanders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, the newly "enlightened" couple chastise their closest friends, Ted and Alice, for not coming to grips with their true feelings. Bob insists that everyone "feel" rather than intellectualize their emotions, and Carol pronounces "that's beautiful" after anyone says anything even remotely personal. Ted and Alice humor their friends, but it is obvious that there is a good-natured sexual tension at work within the foursome.

As told to a psychiatrist: Mr. Peabody, middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that thing in the bathtub is anything but a large fish. Predictable complications follow in rather tame fashion.

Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best.

Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn. Brock hires newspaperman Paul Verrall to see if he can soften her rough edges and make her more presentable in capital society. But Harry gets more than he bargained for as Billie absorbs Verall's lessons in U.S. history and not only comes to the realization that Harry is nothing but a two-bit, corrupt crook, but in the process also falls in love with her handsome tutor.

Det. Sgt. Mark Dixon always wanted to be something his old man wasn't: a guy on the right side of the law. But for a good guy, he's awfully vicious. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley, demotes him. Foley tells him he's a good man, but needs to get his head on straight and be more like Det. Lt. Thomas, who has just gotten a promotion. Meanwhile, Tommy Scalise has an illegal dice game going and is looking to make a sucker out of the rich Ted Morrison, who was brought in by Ken Paine and his beautiful wife Morgan. She figures out too late her husband is using her as a decoy. Paine strikes her when she refuses to play along. The chivalrous Morrison intervenes but Paine knocks him out cold. That seems to be the worst of it, but later it turns out the guy is dead; and Paine looks guilty. Soon Dixon has fallen in love with Morgan - but not before losing his temper again and committing a terrible deed that he tries to cover up. Morgan's father, a tale-spinning taxi driver, may take the rap for it. It's up to Dixon to try to pin the blame on Scalise.

Chaplin's final American film tells the story of a fading music hall comedian's effort to help a despondent ballet dancer learn both to walk and feel confident about life again. The highlight of the film is the classic duet with Chaplin's only real artistic film comedy rival, Buster Keaton.