Juliet Stevenson

Vida and Arthur come from vastly different backgrounds. Sensitive and touching, sometimes quirky and tragic, always uncompromisingly truthful, a fresh look how conflicting family ties challenge love in a modern day Romeo and Julie...

Exploring heartbreak, family and how to survive them.

A 13-year-old girl (played by The Golden Compass' Dakota Blue Richards) discovers that she is the only hope for banishing an ancient curse from a magical kingdom in director Gabor Csupo's adaptation of author Elizabeth Goudge's 1946 children's book The Little White Horse.

The writer Blake Morrison has a non-resolved relationship with his bragger and wolf father Arthur Morrison. However, when Arthur is diagnosed with a terminal intestine cancer, Blake leaves his wife and children and travel to the village where he spent his childhood and adolescence to help his mother and his sister to take care of Arthur along his last days. The location brings recollections of his problematic relationship with his father.

Three generations of women share the same problem--marriage woes--and want to put an end to it.

An English mother and teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the boy's parents' crumbling marriage. Matters only become more complicated when an enigmatic local boy enters their lives.

A drama that explores the life of Mother Teresa through letters she wrote to her longtime friend and spiritual advisor, Father Celeste van Exem over a nearly 50-year period.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?