Steve Coogan

The life of Paul Raymond, the controversial entrepreneur who became Britain's richest man.

Two men, six meals in six different places on a road trip around Italy. Liguria, Tuscany, Rome, Amalfi and ending in Capri.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Radio DJ Alan Partridge is facing uncertain times with his radio station being taken over by a corporate conglomerate. He makes things worse when he talks down a colleague after a promise to talk him up. The colleague handles things badly and takes the radio station into his own hands, literally, by taking them all hostage. Envisioning all his action heroes in his head, Alan is going to save the day by becoming a go-between for the Scotland Yard. His method though will put himself and others in harm's way because Alan Partridge just can't keep his mouth shut.

In New York City, a young girl is caught in the middle of her parents' bitter custody battle.